As WAG Screen’s costumier I spent a year researching and gathering vintage resources to begin creating the costume for the film which would be set on the home front in WW1. One thing worried me though – I was aware just how much clothing was knitted during the period and I cannot knit. Knitting also takes a long time to create, but to only include sewn clothing would have been a distortion. So, one Sunday morning, I speculatively tweeted for a volunteer knitter – confident that my words would disappear into the ether.
But I didn’t know then the character of knitters. Within an hour I had one hundred volunteers and quickly created a Facebook group to gather them in. In no time at all there were three hundred volunteers and a Ravelry group had been created too. Knitters, as I quickly discovered, are gregarious, generous and efficient, and a management system immediately evolved led by Liz Lovick, managed by Jane Lawrence and augmented by Judith Brodnicki. Out of the group we had over had over one hundred active knitters, designers, hookers and researchers and Centenary Stitches was born.