The Battle of Loos Memorial

I am very glad to say that the costume and knitting created for ‘Tell Them of Us’ and the ‘Centenary Stitches’ exhibition continue to do their work in helping to commemorate the anniversaries of the First World War.

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(c) Lincolnshire Echo, Ursula Lidbetter of the Lincolnshire Coop laying a wreath.

October 13th 2015 marked the centenary of a tragic day for Lincolnshire. More than 350 of the county’s men were killed in one hour. Almost all of the men who died on that day, have no known grave – many still lay where they fell.

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(c) Lincolnshire Echo. Actor Lewis Foley (reading a poem written by a survivor from his hospital bed), accompanied by Amy Bevan as a VAD Nurse.

We were asked to help with the memorial event by supplying costumed actors for some of the readings. Their presence helped to make the service all the more moving.

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(c) Lincolnshire Echo. Actors: Jamie Oliver Bendy as the officer, Lewis Foley as patient (in ‘hospital blues’) and Amy Bevan as a VAD Nurse.

Crocheted ties, knitted socks (complete with their ‘Kitchener Stitch’), cardigan and waistcoat (hidden) completed their uniforms and kept our actors warm on that chilly October day. The VAD nurse’s uniform and the soldier’s hospital blues uniform were created by Pauline Loven. The officer’s uniform is a mixture of original and replica and is still covered in mud from filming in a WW1 trench last August.

Thank you to the Manor House Museum for their advice on the the appropriate badges for the 4th and 5th Battalions of the Lincolnshire Regiment and to the Museum of Lincolnshire Life for lending the officer’s cap badge.

For more photographs from the event, please visit The lincolnshire Echo.

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An Iconic WW1 Item

It might seem unlikely that a piece of domestic knitting could be an iconic item from the First World War, but I feel this is one.

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Knitted for the comfort and protection its owner, this glove is also designed to help them kill.

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It is a rifleman’s glove with thumb and forefinger kept free to operate the rifle and it is this combined nature, of comfort and killing, which makes the rifleman’s glove such a disturbing and iconic item.

The background to the creation of the glove is in the groundswell of homegrown support that developed during the First World War from women who supplemented the basic military uniform by knitting for the men on the front line.

Trench raiders of the 18th Kings Liverpool at Wailly, Arras April 18, 1916.
King’s Liverpool Regiment, 55th Division, at Wailly, France. IMW

Gloves, scarves, Balaclavas, sleeping helmets, wrist warmers and a great variety of other shapes and purposes were produced, parcelled and posted. These knitted items were either sent direct to soldiers by their by families or supplied through major organisations such as the Red Cross, Queen Mary’s Needlework Guild or the Regimental Comforts Fund.

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The rifleman’s gloves, bottom left of centre. Knitted by Katy-Jayne Lintott.

These knitted items gradually became known as ‘comforts’. Perhaps it was as much the love with which they were knitted as the warmth they offered which comforted the men, even when they never knew who knitted them. It was like touching home. The knits also conveyed a somewhat homely look on the battalions. Indeed, Parliament was vaguely disturbed by what appeared to be a slightly subversive movement amongst the women and a criticism of the government’s ability to provide all that the soldiers needed.  It is much more likely, however, that women were simply doing all that they could to help their men survive what were at times utterly appalling conditions.

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This comment from the diary of a VAD Nurse gives some idea of how important these ‘comforts’ could be:

“What a godsend to us is the tiny, tightly packed room known as the Red Cross Stores! To convey what its comforts have meant to the maimed, bruised men they have clothed, to realise what it means to have such a supply to draw from, no human words are in any way adequate. 

“We nurses know how much the gifts and comforts are appreciated, and we would emphatically assure all the women who have associated themselves with the distaff part of war work that every garment or article made, earned from some painracked man his grateful, heartfelt, though inarticulate, thanks. Every stitch they have made meant a few minutes’ greater comfort – and correspondingly less pain – from an aching body tortured on our behalf, for our defence and our birthrights. It is in no way a far-fetched statement to say that some garments – such as pneumonia jackets and cholera belts – have prolonged a man’s life. 

“Many needlewomen have deplored and belittled their share in the war’s work; they have deprecated their efforts because these have not necessitated the donning of a uniform and the complete upheaval of their former life. If they would imagine what the comfort and warmth of their nice, smooth, home-knitted socks are to cold, chilblained feet, if they could see the men snuggling head and frost-nipped ears into their cosy Balaclavas, if they could witness – as we nurses have done – how a small jaconet-covered pillow, placed under the scapula of a man with his arm in an extension, has secured for the poor man a good night’s rest, there would be no more deprecating talk, no more half-sighing comments that ‘I don’t seem to be doing much. I’m only a Sister Susie.’ Be proud you are a ‘Sister Susie.’ You are doing some of the most valuable war service. The comfort supplying department is as necessary to the Army Medical Service as the Commissariat or the Clothing Department is to the army in the field. The fighting forces are infinitely glad of the existence of Sister Susies and their nimble fingers.” (Olive Dent)

The Rifleman’s gloves were knitted by Katy-Jayne Lintott.